Friday, September 21, 2012

Lewis Forever Creates Magic at DNA


Isabel Lewis/ Lewis Forever
A Guide to Kinship and Maybe Magic
Saturday, September 15, 2012

Perhaps I am getting crazier, or maybe this is what my college professors warned us about and my tastes in performance are changing over the years. There was a time when I detested all-things post modern or avante-garde and clung to more traditional, whimsical forms of dance. However, I found the majority of this production to be quite enjoyable, and even touching and thought-provoking in many ways. Of course, there were a couple sections that come to mind as being painfully awkward for me to experience. But overall, I am glad that I attended and got better acquainted with the artists, Isabel Lewis, and her family collective, Lewis Forever.

photo by Lexi Namer

Based on the press release I read before the show, I really had no idea what to expect. But after seeing it, I found the press release to be accurate. It’s just one of those things that you have to see to appreciate and my written description will undoubtedly fall short of matching what I would consider the artistic genius of “A Guide to Kinship and Maybe Magic,” but here goes anyway.

Lewis Forever is the name for the Lewis siblings (Sarah, Isabel, and the twins Legia and George Jr.) plus the “imposter Lewis,” performer Brendan Jacobs-Jenkins, who acts as a director and commentator of the silent, black and white film giving his play by play of artistic intentions, occasional sound track and sound effects, and when we are lucky, some accompanying choreography and performance.  The brother, George Jr. is not actually in the film but a hauntingly beautiful song of his was played several times during the film. (And I have been unsuccessful thus far in finding it online so I may download, but I will continue searching.)


photo by Lexi Namer
To describe what I saw, I would say it was psychological, endearing, and horrific with a slightly comic edge. I can only wonder what other people’s experience could have been at such a show. I imagine everyone’s would be different based on the family and experiences that they come from and how they related to the Lewis siblings.

Sibling rivalry is normal and I can remember lots of fights with my own siblings. You know the famous battle cry, “I’m going to kill you!” Well the Lewis sisters took it one step further and actually found creative ways to kill one another with each scene of the film. And then the next scene would come and you would see the sister who was just murdered saunter in with blood on her clothes as if it never happened. Eventually the killing became comical because you knew that they weren’t really portraying murder, just the temporary incapacitation of a loved one.  

The film evoked a sense of nostalgia for one’s childhood and home. A place that I am told you can never go back to. It left me wondering how much of what ‘imposter Lewis’ said was truth, and how much was fiction created to evoke this Kinship and Maybe Magic. I think I would rather not know the truth and just believe that the magic I felt that night was real.


5 comments:

Carly said...

Was the performance movement on film interacting with movement onstage? It sounds like it was a refreshingly unique performance! :)

Sharona Elam said...

I like your rendition. I can visually see and feel through your interpretation how touching and thought-provoking it is. I wish I could’ve been there to see it myself but happy I get to experience it through you. :)

Sharona Elam said...
This comment has been removed by a blog administrator.
AConnorsMerino said...

Carly, yes the film coordinated with what the host or "pseudo" film director was doing. It was very unique and psychological.

AConnorsMerino said...

Sharona,
You are welcome to experience through me. I would love to take you to see a show sometime also- and then we can discuss!
Amber